I am interested in developing a hybrid artistic practice driven by a desire to investigate the power structures that shape the relationship between subjectivity and corporeality. The body, understood as a political device, is activated as a site for analysis, deconstruction, and transformation of the knowledge and information inscribed within it.

My work moves across dance, performance, and visual art, through a conceptual and transdisciplinary approach that places the body in relation to different media, particularly the sonic dimension, with which my creative process is in constant dialogue.

From a methodological perspective, my research generates a threshold: it brings somatic practices into relation with scores, understood as critical tools for a meticulous and layered observation of the power dynamics that traverse the body. The process unfolds in a non-linear, fragmented, and intuitive way, taking shape as a composition of thought that materializes within the performative space.

This space is inhabited as both a political and poetic field—a site of tension and redefinition—where the body emerges as a subjectivity in continuous becoming, activating a presence that goes beyond representation and image.