By doing so, the preparatory and creative actions themselves become the outcome of the performance, leaving fluid and adaptable margins that respond to different places and moments of presentation.

The multidisciplinarity present in OFFicina seeks to emphasize the working method of a somewhat frenetic, occasional jack-of-all-trades—mirroring everyday life, where one is required to shift between multiple tasks while deadlines chase relentlessly. The interactivity proposed in Officina shifts the focus from the individual work of the performer to a collective dimension, shaped through acts of support.

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